Friday, January 13, 2017

Mystery Movie: B.A.R.F. (ca. 1981)




An unknown GROOVE TUBE-style skit comedy titled B.A.R.F. received spotty showings at drive-ins and midnight shows throughout the South in 1981 and 1982 (The ad above is from a March 20, 1981 booking in Tallahassee). According to this message board comment from someone who has seen it, B.A.R.F. is an acronym for "Bizarre Adventures in Raw Film," which leads us to suspect that this might be a re-release of Jim Bryan's BOOGIEVISION (1977). It could also be 69 MINUTES (1976), an Endangered List title that frequently played with BOOGIEVISION.

Palm Beach, FL - November 19, 1982


Jackson, MS - November 26, 1982


69 MINUTES and BOOGIEVISION in Akron, OH - May 19, 1978

Sunday, January 08, 2017

Movie Ads of the Week: The Many Faces of CAMPER JOHN (1973)



Filmed in the summer of 1972 under the titles ONCE UPON A TRIBE and UP YOURS, PILGRIM! by director Sean MacGregor (DEVIL TIMES FIVE, NIGHTMARE COUNTY), the low-budget "Indiansploitation" action pic CAMPER JOHN stars William Smith as Camper John Allen, a Native American falsely accused of raping and murdering a white girl. Smith co-produced the film with his LAREDO co-star, Peter Brown. The cast also includes Gene Evans, Joe Flynn, Barbara Luna, R.G. Armstrong, Henry Brandon, and Arch Johnson. Cinemation Industries acquired the film for a theatrical release in 1973. The ad above is from the Iowa City, IA opening on October 2, 1974.


A month later (November 15, 1974) it played in Tucson, AZ with a different ad campaign as THE SINS OF BETTY SCHAFFER.


When the film opened in Detroit, MI on June 18, 1975, the title had been changed again, to I SPIT ON YOUR GRAVE. Cinemation president Jerry Gross ripped off this title from a 1959 black-and-white French film that had been released in the U.S. by Audubon Films in 1963 (Audubon had also published a paperback of the Boris Vian source novel, J'irai cracher sur vos tombes). Gross used the title again more famously in 1980 when he re-released Meir Zarchi's notorious rape-revenge flick DAY OF THE WOMAN (1978) as I SPIT ON YOUR GRAVE.


In the 1980s, the film played on TV and was released to home video as GENTLE SAVAGE.

Thursday, January 05, 2017

Mystery Movie: THE BODY (ca. 1981)



A film called THE BODY received a theatrical release by Independent Artists in 1981, and we've yet to find promotional materials, trade paper or fanzine reviews, or anything else that would indicate what the film is about, who's in it or who directed it. Apart from WEAPONS OF DEATH, STARK RAVING MAD and a re-release of THE BLACK SIX, the few Independent Artists releases we're aware of are all European films, most of which had already come out through International Cine Film Corporation under different titles: Claude Chabrol's HIGH HEELS (previously released as PLAY NOW, PAY LATER), WHEN THE SCREAMING STOPS (previously released as THE SWINGING MONSTER) and León Klimovsky’s WALK OF THE DEAD (previously released as VENGEANCE OF THE ZOMBIES). Because there's a billing block on the WEAPONS OF DEATH and STARK RAVING MAD materials but few (or no) credits on the one-sheets and ads for the company's European releases, we'll assume that THE BODY is European as well. A couple months back we showed this ad to Video Watchdog's John Charles and he made the very good suggestion that perhaps it was a reissue of Klimovsky's I HATE MY BODY, a Spanish production that received scattered playdates in the U.S. from CinAmerica Releases beginning in 1975. We'll keep that in mind until we find more information.


Wednesday, January 04, 2017

The Endangered List (Case File #154)



EDGE OF THE ARCTIC ICE (1972)

Written, Produced, Directed
by
Tink Klang

Executive Producer
Warren Burke

Director of Photography
Harry Allen

Director of Sound
Fred Badiyan

A Countryman-Klang production

A National General release

MPAA rating: G




Jackson County Banner (Indiana) - September 5, 1973


Seymour, IN - September 10, 1973


Rushville, IN - September 28, 1973


Hull, IA - February 27, 1975


Tuesday, January 03, 2017

"Zombies Arouse More Jeers Than Fears" in Green Bay, WI - September 1984



A dusk-to-dawn zombie show held at the Valley Outdoor Theatre in Green Bay, WI the weekend of September 7-9, 1984 consisted of THE ZOMBIE'S RAGE (Joe D'Amato's ANTROPOPHAGUS, a.k.a. THE GRIM REAPER), WALK OF THE DEAD (LA REBELION DE LAS MUERTAS, a.k.a. VENGEANCE OF THE ZOMBIES), Ted V. Mikels' THE ASTRO ZOMBIES, REVENGE OF THE ZOMBIES (the Shaw Brothers' GOU HUN JIANG TOU, a.k.a. BLACK MAGIC 2) and THE CURSE OF THE LIVING DEAD (Jean Rollin's LES DÉMONIAQUES). The article below appeared in the Green Bay Gazette on Sunday, September 9.



Sunday, January 01, 2017

Movie Ad of the Week: LION MAN VS. THE BARBARIANS w/ KUNG FU MANIAC (1982)



The howlingly funny Turkish action-adventure flick KILIÇ ASLAN (1975), better known as LION MAN and starring Cüneyt Arkin ("Steve Arkin"), went directly to the kung fu track here in the U.S. courtesy of William Mishkin Motion Pictures. Riding the coattails of CONAN THE BARBARIAN, Chicago sub-distributor Don Buhrmester pushed the film as LION MAN VS. THE BARBARIANS for its one-theater Loop debut with the previous year's KUNG FU MANIAC on August 14, 1982.


Wednesday, December 28, 2016

The Endangered List (Case File #153)



SLICK SILVER (1975)
a.k.a. SLICK SILVER & Co.

Starring
R. Terrell Reagan
Hal Fletcher
Bond Gideon
Bill McGhee
Ken Miller

Directed by
Perry W. Tong

Written by
R. Terrell Reagan

Produced by
Perry W. Tong

Executive Producers
R. Terrell Reagan
George Tregre

Cinematography by
M.L. Nelson

Edited by
M.L. Nelson

Music by
Bill Bauer

Costumes by
June Tregre

Makeup Artist
Pat Tong

A Crescendo Cinema III production

Released by
Centro Distributing

MPAA rating: PG


(Above) Perry Tong double feature - Longview, TX - August 22, 1975


STEPSISTERS (below) was re-released by Sam Sherman as THE TEXAS HILL KILLING and HANDS OF BLOOD, but SLICK SILVER & CO. has never resurfaced.



(Below) Before making STEPSISTERS and SLICK SILVER, Tong tried unsuccessfully to adapt his novel The Brutus Incident for the big screen.

Boxoffice - November 6, 1972




Perry Tong: sub-distributor


Variety - June 5, 1974


Boxoffice - February 10, 1975


Boxoffice - April 7, 1975


Boxoffice - June 9, 1975




Boxoffice - October 27, 1975


Boxoffice - November 10, 1975


Boxoffice - October 25, 1976


Boxoffice - November 10, 1976


Sunday, December 25, 2016

Movie Ad of the Week: LET ME DIE A WOMAN (1979)



Doris Wishman's X-rated sex change semi-documentary LET ME DIE A WOMAN -- released by "Hygiene Films" (a.k.a. Max J. Rosenberg's Dynamite Entertainment) -- opened at one drive-in theater in Green Bay, WI on July 6, 1979.



Rosenberg discusses LET ME DIE A WOMAN in the above article, which appeared in the Philadelphia Daily News on March 23, 1979 and also includes quotes from Leslie, the subject of the film.

Thursday, December 22, 2016

The Endangered List (Case File #152 )



THE PRESIDENT MUST DIE (1981)

Directed by
James L. Conway

Produced by
Charles E. Sellier, Jr.

Written by
James L. Conway
and
Cliff Osmond

Photography
by
Paul Hipp

Edited by
Trevor Jolly

Music by
Don Perry

Assistant Director
Leon Dudevoir

Costumes
Julie Staheli

Design
Paul Staheli
Chip Radaelli

A
Sunn Classic Pictures
production

Released by
Jensen Farley Pictures

MPAA rating: G

***

Excerpts from
“Making Movies the Computer Way”
by Patricia Morrisroe
Parade magazine
(February 2-3, 1980, p.16)

Welcome to the age of computerized entertainment, where movies are conceived, created and marketed like boxes of breakfast cereal. The idea was not the brainchild of IBM, however, but of a Mormon organization in Park City, Utah, called Sunn Classic Pictures.

Since 1974, thanks to its new testing system, Sunn has produced an unbroken chain of “hits” – 17 movies that have each grossed an average of $14 million. Its most successful picture, IN SEARCH OF NOAH’S ARK, made for only $360,000, has returned $28 million at the box-office. By using cost-cutting devices, such as small casts of little-known actors and non-union crews, Sunn can spend huge amounts on expensive but well-timed television advertisements. As a result, audiences flock to see their “limited run” movies. In a business where six out of seven films lose money, Sunn’s pictures regularly gross 30 times their production costs, a ration enjoyed by only a handful of films in history.

The inspiration behind Sunn’s approach is its president, Charles E. Sellier Jr., 36, a Mormon convert who attributes his good fortune to two important factors: God and the computer.

In 1971, Sellier was hired by American National Enterprises, the originators of a scheme known as “four-walling,” whereby a movie company rents selected theaters for a flat fee and gets all the box-office dollars instead of giving theaters a percentage of the gross in exchange for paying their own overhead. This technique, combined with hefty amounts of TV advertisements, benefits smaller film companies like Sunn which otherwise might never get their movies shown. “Because we pay for the use of the theater,” Sellier says, “we have to make sure our product is completely attuned to the audience. If nobody comes, we lose a lot of money.”

Sellier’s first major step in assuring the profitability of his pictures was selecting his audience and determining their tastes. Through a computerized test-marketing system, Sellier identified his main target group: working-class families who attend films only once or twice a year. In pinpointing this market, Sellier had found an unexplored resource. “Only 23 percent of the U.S. population sees movies with any sort of regularity,” he says. “Hollywood is just not making the kind of films that turn on the other 77 percent. All we did was find an angle that other people weren’t pursuing.”

Under Sellier’s system, the audience practically designs every aspect of the film themselves. Each month researchers are dispatched across the country to question potential moviegoers on unusual ideas, newspaper articles, current books, or anything else that might get them out of the house and into the theater.

Once the most popular ideas are collated, Sunn’s research teams are sent out again. This time the man-on-street is asked to help flesh out the concepts. Take, for example, the research conducted for THE PRESIDENT MUST DIE, a docu-drama on the assassination of John F. Kennedy.

“After feeding our data into the computer,” explains screenwriter Brian Russell, “we went with the conspiracy theory – the premise that was closest to what the majority believed.” What if the computer had pinned the blame solely on Oswald? “We would have gone with that angle instead,” Russell says. “We’re interested in drama, not politics.”

Sunday, December 18, 2016

Movie Ads of the Week: The Many Faces of Alfred Sole's COMMUNION



COMMUNION - Corpus Christi, TX - July 22, 1977



THE MASK MURDERS - La Crosse, WI - August 12, 1977



ALICE, SWEET ALICE - Decatur, IL - May 12, 1978



HOLY TERROR - Philadelphia, PA - June 4, 1981

Sunday, December 11, 2016

Movie Ads of the Week: MOUNTAINTOP MOTEL (1983) a.k.a. HORRORS AT MOUNTAINTOP MOTEL (1984) and MOUNTAINTOP MOTEL MASSACRE (1986)



Jim McCullough's low-budget regional horror film MOUNTAINTOP MOTEL -- rated R by the MPAA -- opened in one theater in Opelousas, LA on July 15, 1983.


Under the title HORRORS AT MOUNTAINTOP MOTEL, it opened at the Meadowbrook 6 in Jackson, MS on December 14, 1984.

New World Pictures gave it a wider release in 1986 as MOUNTAINTOP MOTEL MASSACRE.

Wednesday, November 23, 2016

The Endangered List (Case File #151)



GET IT ON! (1977)

Starring
Gordon Haight
Jacqueline Kaye
Stuart Taylor
Constance Yelverton
Gene Hamilton
Susan Baldwin
Roger Rose
Dan Specter
Owen Akar
Craig Johnson
Don Markcity

Music by
Craig Johnson

Director of Photography
William De Diego

Associate Producers
Francis L. Bacon
Alvin J. Sims

Executive Producer
Irv Apatoff

Assistant Director
John Tenorio

Produced and Directed
by
Greg H. Sims

A
Nucleus Films Production
presentation

Rating: PG (unofficial)

Release date
December 16, 1977 (San Bernardino, CA)

Sunday, November 06, 2016

Movie Ad of the Week: SEX AND THE SINGLE PARENT (1982)



Ten years after Avco Embassy tried to market Krishna Shah's offbeat domestic drama RIVALS (1972) as a horror thriller -- frequently paired with THE SPORTING CLUB, and always without success -- Jack H. Harris reissued it as SEX AND THE SINGLE PARENT. Meanwhile, the film was showing on television (as RIVALS) around the same time, as was a TV movie titled SEX AND THE SINGLE PARENT, originally aired on CBS in 1979 and starring Mike Farrell and Susan St. James.

Longview, TX - October 1, 1982

Monday, October 31, 2016

Zacherley - R.I.P.



Ghoul-bye to the Cool Ghoul
by The Keeper of the Pit

Hey horror folks and fans out there ev'ry scare! And that said, here ghouls: The news, almost said grues, of the loss of Zacherley so close to Horrorween has us around fear in such a state we can hardly spook. Great guy. The first time the luvva my wife and I met Zach was at one of the very first Chiller Theatres, back at the theatre, where we had the ghouled luck to land a spot at the back wall of the downstairs, hexed to Zach, us and him's elf sharing the whole back wall half and half, Zach on the left, us to the right, I SAID fright.

Zach sees us dragging boxes and signage, sees "The Poster Pit," sez "Poster Pit, what a name. Where ya outta?" You know, words to that effect. Next thing I knew fellow "Pennsylvania person" and Zach and us were off to the races like Pocono body's business. Plus, he kept, okay, I SAID Keeped, directing folks at his adjacent table to check us out "hexed gore," because "They got one great ghoulection!" And he said it, not me, so I hope I haunt being Pencil-vain, ya?

This routine we had went on over the years of shows, when we always stopped at the other guy's tables, told each other the slayfest. And now, may I warn some readers about a little reality check. Yep, Zach and I any given show shot the back on the ole farm shite. One fine Saturday morning we're standing in a crowd of thousands waiting to be let into the Chiller Dealer Room hall, where, I SAID scare, hopefully Zach and us'ns might each make, ahem, a haul.

Heedless to slay, we eeek!-ventually got onto all the awful things happen to animals, barnyard or household pets. I believe it was his brother he told me about, who was a veterinarian. It was a long morning wait to get in the show, but we Zach and I could crack jokes "Gah, gore!" ... and it was a horror crowd, where folks who get squeamish over fantasy or even reality generally can't "B" found.

We'd abat run out on all the bad things that can happen to pets and gored livestock, some animal-inflicted, some human same. We knew we were drawing a crowd, but we were losing 'em by the time we hit debeaking chickens. See, there was this thing chickens did, they liked pecking at the dangling mess of their fellow penmate's condition. See, there was a disease or condition most-often called "chicken blow-out," and when the chicken with it tried to go about its business, the poor creature's intestines would start to trail behind them. Which got worse in that then their fellow captive creatures, being born peckers, simply had to walk behind them picking the trailing, uh, tines, which by then were sometimes several feet long, snake-like, gray, bloody. Spreading more disease the hole slime.

Then scare was discussing the who does what when one needs to. When a farm dog gets into a tousle with a skunk, who gets to hold said creature's whole reeking fulla sharp nasty quills, and who gets to pull 'em out? Whoever does what, trust me, neither guy can be rewarded with nearly enough fi-dough.

Zach, ever scientific, would of curse get into it, ask if I remembered what med ya put in the chickens' water fountains to prevent such conditions from spreading. I did. By the time he got to which job was worse with pigs, castrating them or holding them down for such needs-must-be done brutality, we found ourselves in minutes no longer standing way, way back in line to fright in front of the entrance. And behind us had changed from grumbling and pushing in line noises to a stampede of folks with suddenly anyscare but around us with excuses like "Ooops, I left an autograph item up in the room." And these were hard-core horror fans who knew from the ghouled stuff, like they'd seen "It Came And Left A Mess" with "Glob At First Fright" on a double-chill at the old Grue-Slay Drive-In. Fact, that day, we coulda given Zach's brother, who no doubt knew human anatomy likewise, plenty of upset stomach (w)urk!

Spooking of urky stomachs, again, sorry to have given anyone any degree of queasiness in this piece, but then, wasn't that Zach's job, same as as any of his horror hosts? You know, the ole "Hey, this movie's so ghouled it haunt half-bat." I mean, think on it: Ed Wood any of the gore-iginal horror movie m.c.s have survived the censorly cut had they NOT while hosting their fear features dispensed with the puns and punch dyin's? I stink rot!

So here's, dare I say Pit, tomb the best of them all, by now no doubt up in horror movie heaven draggin' a certain Creighton Tull a"rowl"nd by a Long Chaney. (Hey, ya can get away witch such stuff when yer position in same quarters is so horror high and Karlofty!)


John Zacherle
September 26, 1918 - October 27, 2016