Thursday, November 28, 2013

Book Review: THE COMEDY IS FINISHED by Donald E. Westlake




Donald E. Westlake Turns
70's Kidnap Caper Into Comedy ...
(And You'll Laugh 'Till It Hearst!)

A Review of
Hard Case Crime's
The Comedy Is Finished

AND

Blood on the Mink Proves
Sky-Fi's Robert Silverberg
A Master of Space & Crime!

by Don K. Barbecue

Sorry, dear readers, if I seem to have got a lil behind in reviewing the ole Temple of Schlock stock of mysteries and then scum, but Faust thing after I'd worked up Choke Hold I got all upset when I learned a) that my mysterioso his own self Unk belongs to some super secret organization called MANIC, of which I still know naught and b) right then he tore outta here to rescue some old gal friend named Pyrrholoxia after telling me nothing else than she was named after the state bird of Arizona, and her dad had really wanted Tucsons.


Now, I dunno howl much of that was a line, but I do know some things oh pun Pyrrholoxiaviation, and the Pyrrhol is NOT the state bird of Arizona. Dunno what maply info Unk was using and abusing, butthead he got it wren - er, wrong, off course.


So, here I sit waiting for word on my 60's-drivenUnk and his “bird,” even though I now figure he's got more than himself to free her from whoever's clutches, being he belongs to some, like he sez, “thigh spy gore-gun-ization.” The man is my oldest surviving relative, and after all this time missing, I gotta wonder if his and “Pyrry”'s enemy's bullets are missing them.

Still, it's kinda cool I got an Unk from MANIC, but with him gone so long I'm Solo I, like they say over in Coletown, PA., feel “kinda ill, ya?” And having missed my morning curry, I'm achin'.


Plus, no new Hard Case Crime's winged my way lately, and without more of those bullets and big brassy babes books to Philip my room, I feel even Marlowe ...


Then there's ...

A sudden shout of “Incoming, head's up or go DOWN!”

Oh, no, it can't be, voice came from in fronta me, there's nobody, but that sure sounded like Unk's back. Oh no, back like behind me no less. Shee-oot and criminals-net-me! I start to turn, spin and then WHAMMO FRISBEE!


My head clears a bit. I see what seems to be another terrific Gregory Manchess cover on a hardback Hard Case Crime. There's a pair, I SAID there appears to be this naked blonde in shades in, uh, front of a tied-to-a-chair feller facing her.


I can't help myself. I see this word balloon over captive guy's head, and it sez “Look lady, with you standing nekkid that close to my puss and me tied to this bleep-ed-e-bleepin' chair, it ain't the chair got the harder wood!”


Book seems to be on the ceiling. Looks bloody. Something smells bloody. My head's sticky, too. Huh. Oh yeah. Something “Incoming!” hit me unaware like a craniyummy dummy.

Okay, so why is the floor up above me and why is it spinning already? Wait, does this mean I'm gonna fall on my face now? No, wait, I seem to be looking up a pair of legs, and oh what a pair, in a pair of shockings that are stocking. Uh, stockings that are shocking. And hose that talking?


“Dang kid forgot to duck.” At least I think he said duck. Either that or my head's quacked.


A hand reaches up, pulls me up. Wait, I wasn't on the ceiling, okay, but my head feels like it hit it. Maybe I just had the worst ever case of roofer madness. Quick, where'd that gal with the legs go, I'll plaster.

“Kid, gotta fly. Get up and fire up that typewriter of yers, I broughtcha the new Westlake book from Hard Case Crime!”

I rub my achin' haid. Huh. The “Incoming!” voice had come from ahead'a me, book hit me from behind. How does Unk do these friggin' master assassin stealth tricks, anyslay?


“Westlake, huh?” I groan. “So that's the reason ya hit with on the head with it, so I go Stark ravin' mad atcha?”


Unk gives me a vague, puzzled but never, of course, hurt or apologetic look. “Kid, ya worry me sometimes. You, my favorite nephew ...?”

“I'm also yer only nephew.”

He doesn't miss a beat. “ .... and ya act like I did somethin' to make mad.”

I flinch at the goose egg on my crown. “Yeah, Stark ravin' BONK!-ers.” I calm down. “Who's the gal in the '50's lingerie, or was I just seeing stars and garters?” I leer. “Or did she just have that kinda getaway ... face?”


“What?” Unk leers. “Oh, her! Oh shoot, lookit the time, we gotta get offta the next HCC artist posing, and ... “

I can about digest that, since Unk's alibi had the legs for it. “That's, uh, some lady ya got there, Unk.”

“Not some lady, kid. Shamelady. Pyrrholoxia Shamelady.”


Whoa! Now there's a 60's-bent MANIC man's woman friend name to conjure twist! “Hold on. Last that I heard, that lady named Pyrrholoxia had been kidnapped ... “

“L.U.S.T.?” Unk snorts. “They had nuttin' to do with it, that agency got Drummed out ... eh heh heh...schlong a gal. Plus, they were summa the good thighs, I mean, guys.”


“I SAID last, but they say you 60's guys, the hearing's the first to go-go. Still, I know what you demean. I'll try again. Last I knew, you flew outta here to rescue her all in a dither ...”

“I never mentioned her tithers,” Unk sez. “Bedsides, when I finally found her she'd already escaped any fiendly clutches.” Then he laughs, adds, “That's why I always lay on her, I mean, say to her she shoulda been named Pyrrhol-unlox-ia!”

That does it. I point front doorward. “Out, out, damned Sputnik shooter-downer!”


Hah. I hit a sore spot. Unk about shuffles his feet. “Yeah, yeah, I know I was spozed to capture the stupid thing, but ... “

“Don't tell me. Ya prob'ly had some lady cosmo-naughty up there with ya and you were all in a Russian!”


Outside, a horn honks. And I wonder, how can a car horn sound ... female? And like it simply can't wait for, uh, service?


Unk leers. “Sounds like I gotta flah, kid. Part the petals in the middle.”


Next thing I know Unk's gone, there's a squeal of wheels, a rush of heated air and an upward WHOOSH! I gaze out the window, and what I see? Well, whatever ya call that supersleek beast of a vehicle to the stars car, Unk sure never earned it in the MANIC '70's from playing jetPAC-Man.


And the last I hear of Unk over a chortling gaggle of feminine giggles from above is his yell of “Enjoy the book, kid, it's funny as helliumite! Right now, up here? The Comedy Is Rocket-fin-ished!”


-----

And you know what, Unk with his Pyrr bound for the stars and garters was flight, I SAID right. The new Westlake from Hard Case is the funniest thing from the man I've read since THE BUSY BODY, wayback when. Why, the thing's got a plot that deserves all sordids of grave reviews!


Now, unless you lived through the 70's, many readers know little of the era beyond what mess media throws at us. It wasn't all one big Happy Daze. Then again, put on either one of Roger Corman's car crash and burners with Ron Howard and pretend yer at a drive-in when “If the van's a'rockin', don't COME a knockin'” reely meant it ... or else! ... and watch, say, cars, boats, buildings destroyed while the Ronster pops the clutch, you just might have a whole lotta Fonz.


Otherwise, anytime they try to con-vince ya the 70's were all disco music each and ev'ry friggin' Summer, take the Barbster's advice and say Nixon it. And, story of “O,” in the mean time read up on the Patty Hearst kidnap case, or from The Comedy Is Finished you'll know knotty.


The kidnapping of newspaper heiress Hearst was one pure gold but impure media magnet, since it included sex, crime AND money'd power held captive in a closet by “revolutionary” types well worth authorities wanting them SLA-in. Even out in these parts of country-fried Pennsylvania, loco rumors that Ms. Hearst was stashed somewhere in a cabin around a local amusement park a-bounded.


Even more interesting, by some sheer fluke of crime and publishment, there was even a porno paperback called Black Abductor that bore to the case in question an amazing amount of semi-leery-ties ...


Be that as it SLA for whatever reasons, the late great Don Westlake finished this dark comedy of crime and shelved it. Now, it seems impossible the book wasn't, somehow, sinspurtedby the Hearstly hoopla. Doesn't matter as to its canning, since the story goes that Westlake kept it in the Stark dark when it seemed to bear a resemblance to a certain COMEDY flick with Robert De Niro, all about the kidnapping of a media personality as depicted by a man known for a slew of film funnies as Lewis it gets. Go ahead, argue, I stand Patsy.


The victim of this comedy kidnap caper is one Koo Davis, stand-up comedian from who has scene stole it all, through various wars and their attending mediums, where some of Koo's weariness and dismay comes from even before he's snatched. Me, I'll name no Nams OR political person with the morals of a Laos.

Okay, I lied. Gimme time on that to get enough Hanoi'd.


Fact, there's a few good turns of the grue reekgards creepy old haunted house movies Temple of Schlock readers Ed Wood enjoy. Like in SATURDAY EVENING GHOST, where Koo got to say “My brain is happy to be here, but my feet wanna be in Tennessee.” Or “We've got nothing to fear but fear itself – and that big guy over there with the sword.” See? Even when Koo's kharacter was about to get kilt, he still played it to the hilt.

Then there's kaptive Koo's memories of old radio comedy, and boy are they ever on the Marx, brothers! Which isn't to say that while Koo's held suffering by uninclined-to-liberate him loonies he doesn't go a bit mental himself. One finely rendered bit even has Koo slipping in and out of 20,000 Leagues Under the Sea. Yup, pool guy can't take it Nemo.


Ya sea, all those thoughts of the good Captain Nemo have Koo's thoughts drifting at times to the politics of the day. He can't help naming Nams, though, not with his captors of either sex ranting and raving at him about whatever they hold him personally responsible for. And even they, when their minds are so a-Verne-ly veering, have to come out with a few Jules.


Like: “Koo, do you think it's an accident that the developer of the aerosol spray can was a friend of Nixon's?”


I mean, I grew up in the not-so-happy daze of Watergate, and even I never Agnew that! So pity poor Davis listening to self-styled, as some folks used to say, revolution hairies as they blame his entertaining the troops for the war. Logic like that, the man could just go Koo-coo, especially if he gets to thinking there's no Hope.


If there's a politikilling pot to be boiled herein, our bad guys are on stew it. Same goulashes for the lethal ladies, who know from any Ms.-takes in Betty Cooker's Crock Book, so Koo can't even think of getting any of them recipeed off.


And who knows where some such woman as on the book cover might aim that gun, if Koo gets her to feeling kinda testes?


Yeah, ya gotta admit, even in his weakest moments, Koo's got spirit. One point he decides “not to grovel before” someone threatening him, “unless, of course, it's necessary; better a living grovel than a dead defiance.” Ah yesssss, words to snivel by.


Besides, who knows? Way Koo sees it, mostly, is anything can happen on a sonny day, Mark my words. No wonder The Comedy Is Finished is such a wonderfully nasty novel it's to die forebears. Book's a piece of its slimes, sure, but it's got lots of humanity behind some characters' high-minded hollers, and love falls like rain even as one has to cut and run when the comedy's done gone to peace-less pieces. And all my old farming instink tells me to ... let's be Frank and call any vegetable ... treat everyone as a podner and peas a chance. Sigh. Words to wearily Lennon are such McCartney'dfull things.


No doubt about it, in my book of Westlake writing as Westlake, stack any of those books right here up agunst 'em, and The Comedy Is Finished will Beatle the rest!

Even when days ahead may look, how to say, the most darkly Stark.


And those are words to live by-line. In fact ...

Hey, children, wuzzat sound? Quiet now. Just for a second try to hold Stills.


Thunder? Under a sky clear as daily readings of the Schlock market? Naw, couldn't “B,” there isn't even a leaf movie-ing, let alone falling to later “B” pic'd up ...


What IS that sound? Something whirly up above, like propellers? Whoa! Suddenly it's just there! Some big boat-looking thing in disguise, flying with blades like ship's masts pointed upward, all a-twirl and a-swirl and there's the sound of some passionately giggling girl!

The next voice, though, is all too familiar: Unk, unseen and shouting downwind words. “Hey, kid, how's this flying machine for a case of ....?”

There's a slight in flight pause. Unk again. “What did you call stealing this flying Flying Dutchman thing before?”

More giggles from Pyrry's as yet unseen heavenly body, up in the heavens with MANIC's hip-shootin'-est heathen.

“Oh, that's it,” Unk cries to my shaking-up-at-him fist. “My little commandear, here, sez we're committing a case of skyway Robur-ry!”


I stammer, I spit, I sputter like a mutter. Is there NO time I can review anything for anybody and my ratzenkratzen relative up there doesn't get into the act?

No mutter, I SAID matter. Suddenly, but of course and on course not quick enough, I catch a mere glimpse of something headed toward my head, even as Unk yells “Downcoming!”


I hear that fine female voice say something along the lines of “I thought you were just going to land and hand that to him, darlink."


Which is Badenov before something heavy clunks me on the head at the speed of 32 feet purr a-Russian, and I'm out like a shot-down satellite. Thinking this time for sure I orbit it.

Okay. I'm back. Head like lead, but ... Hey, wazziss? Whoa, kinda wobbly.


Little brown yi by yi package, wrapped in string. Note on it in a feminine looking hand, obviously inscribed by a woman of stylus.


Note reads: “You poor dear. This won't happen again by your uncle's hand if I have anything to say about it. I do declare, sometimes I think the man's nothing but a big barrel of vinegar P. S.”

Yeah, I think, rubbing my numb noggin. That's one word for it. Okay, two. Vinegar pis -


Oh, wait. (Pregnant pause) She missed a period. Should read “ ... vinegar. P. S.” P. S. being for Pyrrholoxia Shamelady, no doubt flying around with Unk flight this moment.

Someday I gotta meet this bird. Tell her hanging around Unk tells me she's outta her tree and she oughta branch out, like whenever he asks, nest time.

Meanwhile, what's in this package? Whoops. A smaller note just flew outta her bigger one. Unk's scribble: “Hey, kid, here's the newest Hard Case for a hard head, U.”

My bruised bwain clears. No way a lil blow to the head's gonna make medulla! Rip the package apart, to find:


All off my noggin, I mean, all of a sudden a word balloon looms before my eyes for the Michael Koelsch cover above. Guy aiming his gun at the fleeing car fulla hoods who killed the lil minx in a mink's crying “Youse guys stole her life, and I'll never furget!”


I put my hand to my head. Like lightning I'm reading the entire book in minutes. Easy to do, too. Silverberg's quick, slick prose on these late 50's-oily '60's stories is in-dead killer!


Whoof. I been reading Silverberg since Revolt on Alpha Centauri for Scholastic Book Services many race to space moons ago. Man's been around, won all the sky-fi awards, and he's still at it. Feller wrote my fave'rit alien possession sky-fi short story, dreadsides, which is “Passengers.” Said tale can even be found adapted in a moldy oldie underground comic, Paranoia, whose inside cover to this day reekminds me what I want to do inflict on Unk after everything he's done to me today. Yeah, sad to say, the guy may have introduced me to James Bond novels, but right now I wanna turn him into a Jane bondaged.


Nothing but good feelings on this book, though. There's two brief stories plus the title longy, and all three are lean and mean, none more so than the lead, where a planted double joins a mob passing money that over a legit counter doesn't feit.


Then agun, maybe it's the fact the thing's by Robert Silverberg, whose Lost Cities and Vanished Civilizations got me reading about archaeology around the same time as Roy Chapman Andrews. This Bloody book could even make me forget my Unk's a dino-sore-ass of the worst odor.


Ah, dino dreck the heck, I just began reading the saved-fur-last Silverberg explanation on how he came to write these pretty swell suspensers, and words have slowed to normal reading speed. Sigh. Musta been that whonk on my head. So much for reading any of Stephen King's longest books in one Standing.


So, remind me, dear Temple of Schlockers, to next time tell ya all about when Andrews and Unk spozedly ran outta beer in the worst hell-hole of Asia, and flipped for who'd go for more. Andrews won. So, did Unk set out for suds? Naw. He put a gun to Andrews' head, said “You Gobi it!”


New Hard Case Crime or not, me, at that point, I'd have shot Unk for desert-shun!

Sunday, November 24, 2013

Movie Ad of the Week: DELIRIUM (1975)



Renato Polselli's DELIRIO CALDO (1972) -- starring Mickey Hargitay, Rita Calderoni and Raul Lovecchio -- was submitted to the MPAA for a rating in November 1972 under the title DELIRIUM, but didn't show up in Panama City, FL until June 14, 1975.

Sunday, November 17, 2013

Movie Ad of the Week: CEMENTERIO DEL TERROR (1985)



Rubén Galindo Jr.'s CEMENTERIO DEL TERROR -- filmed in Texas and starring Hugo Stiglitz, José Gómez Parcero and Bety Robles -- opened in nine Spanish-language theaters in the New York tri-state area on July 12, 1985.

Sunday, November 10, 2013

Movie Ad of the Week: GHOST DANCE (1984)



The Native American possession/slasher flick GHOST DANCE was filmed in Tucson, AZ in 1980, and had its world premiere there on May 21, 1982. The ad above is from its belated opening in Santa Fe, NM on February 3, 1984.

Sunday, November 03, 2013

Movie Ad of the Week: JONATHAN (1973)



Hans Geissendörfer's vampires-as-Nazis arthouse obscurity JONATHAN (1970) -- photographed by Robby Müller and starring Jürgen Jung as the titular vampire hunter and Paul Albert Krumm as "The Count" -- opened in New York, NY on June 15, 1973.

Sunday, October 27, 2013

Movie Ad of the Week: DEAD OF NIGHT (1974)


Bob Clark's creepy DEAD OF NIGHT (a.k.a. DEATHDREAM) opened first-run in eleven theaters in Kansas City, MO during Halloween week 1974.

Sunday, October 20, 2013

Movie Ad of the Week: Boris Karloff and Peter Lorre in New Rochelle (January 1963)


Boris Karloff and Peter Lorre appeared at the RKO Proctor's theater in New Rochelle on Saturday, January 26, 1963 to promote the release of THE RAVEN, the fifth of eight movies Roger Corman made for American International Pictures based on the works of Edgar Allan Poe. Radio and TV announcer Fred Robbins, best known for CBS Movie Nights, introduced Karloff and Lorre that afternoon.

Sunday, October 13, 2013

Movie Ad of the Week: VOODOO BLACK EXORCIST (1975)



Manuel Caño's VUDÚ SANGRIENTO (starring Aldo Sambrell, Tanyeka Stadler, Fernando Sancho and Eva León) was released in the U.S. by Horizon Films under the title VOODOO BLACK EXORCIST beginning in December 1974. The ad above is from its Chicago opening on January 17, 1975.

Sunday, October 06, 2013

Movie Ad of the Week: HAUNTED MANSION (1973)



Named after the popular E ticket attraction at Disneyland (California) and the Magic Kingdom (Florida), HAUNTED MANSION opened in the New York City area 40 years ago this week (October 6-8, 1973) as another kiddie matinee from Larry Joachim's Trans National Film Corporation. During a recent interview with Mr. Joachim, the veteran producer-distributor revealed to us that HAUNTED MANSION was actually a reissue of WHO KILLED DOC ROBBIN (1948), the second of two attempts by Hal Roach & Robert F. McGowan to revive their OUR GANG kids comedies as 55-minute color b-features.

Ad above courtesy of Fred Adelman

Sunday, September 29, 2013

Movie Ad of the Week: THE LEGEND OF BOGGY CREEK (1973)


Charles B. Pierce's documentary-style horror smash THE LEGEND OF BOGGY CREEK (1972) had been playing theaters across the U.S. for over a year at the time of this discount drive-in booking in Wayne, NJ on August 31, 1973, so two different promotional gimmicks were employed to drum up business: a "spook-mobile" and an appearance by the Fouke Monster.

Saturday, September 28, 2013

FASTER, PUSSYCAT! KILL! KILL! screening at the Alamo Drafthouse Yonkers!



Hey gang! Chris will be at the Alamo Drafthouse Yonkers on Saturday, October 5 to introduce a 35mm screening of Russ Meyer's FASTER, PUSSYCAT! KILL! KILL! The show starts at 10:00 p.m. For more details, check out the official website. Sadly, FASTER PUSSYCAT co-star Haji succumbed to a heart attack this past August at age 67. Back in 1999, Chris had the pleasure of interviewing the beautiful and talented Haji for Shock Cinema magazine; that issue is now out of print, but the Q&A can be found here.

Friday, September 27, 2013

Writers Talk: Interview with Chris Poggiali


"I'm back! What did I miss?"


Two weeks ago tonight, Video Watchdog's John Charles posted a great interview with Temple of Schlock co-founder and editor Chris Poggiali on his blog By John Charles, but we were too busy hanging out at Fantacon 2013 in Albany to draw much attention to it. Better late than never, here it is. Po talks about his early influences, the genesis of Temple of Schlock, and some of his recent projects. Enjoy!

Wednesday, September 25, 2013

The Endangered List (Case File #138)



THE SOUTHERN DOUBLE CROSS
(1977)

Starring
Avery Schreiber
Judy Lewis
Anne Jeffreys
Robert Denison

Directed by
Don Edmonds

Written by
Howard Koch

Produced by
Hobarth Johnson
and
Richmond Johnson

Sound Editor
Richard L. Anderson

Lighting Technician
Steve Mathis

MPAA rating: G

The director of the ILSA movies made a G-rated family film?! And it was written by the screenwriter of THE SEA HAWK, SERGEANT YORK and CASABLANCA?! You bet! THE SOUTHERN DOUBLE CROSS played on TV for at least 10 years during the video era (1983-1993), so we're hoping somebody recorded it during that time. Until then, it's #138 on the Endangered List! Thanks to John Charles for bringing this one to our attention.





Compiled by John Charles

Sunday, September 22, 2013

Movie Ad of the Week: RAW FORCE (1982)


During its first-run release, the wild kung fu vs. samurai zombies flick RAW FORCE opened in 40 theaters in the New York City area and 18 theaters in the Chicago area. Next Saturday (September 28), it'll be playing in one theater: the Hi-Way Drive-In in Coxsackie, NY! The dusk-to-dawn show starts at 7:00 p.m. with RE-ANIMATOR, followed by JUNGLE HOLOCAUST, BLADE OF THE RIPPER, THE WEREWOLF VS. VAMPIRE WOMAN and RAW FORCE. For more info on the Hi-Way Drive-In, click here. Special thanks to Mike Decker (J4HI) for providing us with the ad slick above.

New York - July 9, 1982


Chicago - October 1, 1982

Sunday, September 15, 2013

Movie Ad of the Week: THE WICKER MAN (1980)


Because the new digital restoration of Robin Hardy's THE WICKER MAN, a 40th anniversary re-release from Rialto Pictures, opens on Friday, September 27 in one theater in New York City (the IFC Center) --


-- we dug out this ad from March 28, 1980, when Max J. Rosenberg's Dynamite Entertainment re-released the Anthony Shaffer-scripted cult horror film in one New York City theater (Cinema V's Paramount).

Sunday, September 01, 2013

Movie Ad of the Week: MAHALIA (1975)


Here's a film that's been on video and DVD for years, but is nowhere to be found on the IMDb: MAHALIA, a feature-length documentary about gospel singer Mahalia Jackson's 1972 European tour.


MAHALIA
(1975)
a.k.a. MAHALIA JACKSON: GIVE GOD THE GLORY

Starring
Mahalia Jackson (vocals)
Gwen Lighter (piano)
Charles Clancy (organ)
Miles S. Gallaway (M.C.)

Narrated by
Brock Peters

Directed by
Allen A. Miner

Produced by
Richard St. John

Written by
Marc Savin

Edited by
Jim Hendrickson

Songs
"Come on Children"
"Didn't it Rain"
"Down by the Riverside"
"Elijah Rock"
"He's Got the Whole World in His Hands"
"It Didn't Cost You Very Much"
"Joshua Fit the Battle of Jericho"
"Just a Closer Walk with Thee"
"Let Me Walk by Your Side"
"Search My Heart"
"We Shall Overcome"

A
Miles S. Roha Enterprises
production

A
Graham Lee Mahin - Marconlee
presentation

Running time: 88 minutes
MPAA rating: G

World Premiere: September 11, 1975 (Chicago, IL)






Monday, August 26, 2013

Mystery Movie: THE SWORD AND THE CLAW (ca. 1983)


This action-packed martial arts triple feature opened 30 years ago today (August 26, 1983) at the street-level Rialto I, corner of 42nd Street and 7th Avenue. We're pretty sure we can identify the second and third features -- YOUNG HERO is MI ZONG HUO YUAN JIA (1981), while BRAWL BUSTERS appears to be a William Mishkin re-titling of SI DA MANG LONG (1979), a.k.a. BRUCE AGAINST THE ODDS and LONE SHAOLIN AVENGER -- but top-billed THE SWORD AND THE CLAW is the real mystery. The artwork is cribbed from THE DRAGON FROM SHAOLIN, the U.S. release of JIN HU MEN a.k.a. MAGNIFICENT WONDERMAN (see below), so it could be a re-titling of that movie...or it could be a completely different movie. More clues, please!



Sunday, August 25, 2013

Movie Ad of the Week: The Three Stooges in New Rochelle (January 1962)


The Three Stooges (Moe, Larry, and Curly Joe) appeared at the RKO Proctor's theater in New Rochelle on Saturday, January 27, 1962 to promote the release of their third feature and biggest box-office hit, THE THREE STOOGES MEET HERCULES. Clay Cole, the popular disc jockey, songwriter, and host of the TV dance program THE CLAY COLE SHOW, not only introduced the Stooges that day, but also appeared (as himself) in the co-feature, TWIST AROUND THE CLOCK (1961).

Sunday, August 18, 2013

Movie Ad of the Week: THE PHYNX (1970)


World Premiere - Wednesday, May 6, 1970 - Indianapolis, IN


Q: "How do you get a super secret agent into Albania to spring some big shots out of there?"

A: "Form a pop musical group and get invited to Albania!"

THE PHYNX has the reputation of being one of the worst major studio releases of the past 50 years, but it isn't that bad. We'll even go out on a limb and say that 30-40 minutes of it are actually pretty clever and funny (especially the scene with Larry Hankin as record producer "Philbaby" and a backlot musical number that seems to be referencing "This Boy" from A HARD DAY'S NIGHT), leading us to the conclusion that George Foster & Bob Booker's story would've worked better as one of their comedic concept LPs rather than a feature length movie. A rare 35mm screening of THE PHYNX is happening tonight at the Cinefamily, but if you're like us and you don't live in L.A., you'll have to make do with the Warner Archive DVD-R and this insightful blog post by our friend Marc Edward Heuck.

Sunday, August 11, 2013

Movie Ad of the Week: BOARDINGHOUSE (1984)



John Wintergate's micro-budgeted horror picture BOARDINGHOUSE was shot on Betacam video and then transferred to 35mm film for theatrical release through Howard Willette's Coast Films, circa Halloween '83. As with other Willette presentations (RITUALS, TEEN LUST), Aquarius Releasing handled sub-distribution when the film opened in the New York area (March 2, 1984). Incredibly, a new 30th anniversary DVD of BOARDINGHOUSE from Slasher // Video contains a 157-minute director's cut (!), which the intrepid William S. Wilson reviewed a couple of weeks ago at Video Junkie Strikes Back from Beyond the Grave.

Sunday, August 04, 2013

Movie Ad of the Week: THE PYRAMID (1976)



Gary Kent's independently shot "adventure through consciousness" opened in two theaters in San Antonio, TX on September 24, 1976.

"What does the pyramid have to do with you?" Order the special edition DVD directly from Gary and find out.

Look into it. It could change your mind.

Sunday, July 28, 2013

Movie Ad of the Week: WEAPONS OF DEATH (1981)



Writer-director Paul Kyriazi's third martial arts feature, WEAPONS OF DEATH, opened in Miami, FL on July 24, 1981. To learn more about this film and others by Kyriazi, including his unreleased kung fu comedy NINJA BUSTERS (1984), check out this post by our friend William S. Wilson of Video Junkie Strikes Back from Beyond the Grave

Friday, July 26, 2013

A Jack Starrett/William Smith double feature to screen in Philadelphia on 7/26



Hey there! I'll be at the Philadelphia Mausoleum of Contemporary Art on Friday, July 26 to introduce 16mm screenings of two movies starring William Smith and directed by Jack Starrett: RUN, ANGEL, RUN! (1969) and HOLLYWOOD MAN (1976). The show starts at 7:30 pm. The event site is here, the press release is below. I hope to see some of you there! -- Chris Poggiali

FINAL FRIDAY FILMS AT THE MAUSOLEUM

Introducing a new monthly 16mm double-feature from Exhumed Films and Cinedelphia.com

Exhumed Films, Philadelphia’s long-running genre film programmers, are teaming with Cinedelphia.com, the online center of Philadelphia’s film community, to present a monthly double-feature of rarely screened films. The series will be held on the final Friday of every month and will feature thematically-related movies projected on 16mm.

The ongoing series debuts on Friday, July 26 and will feature two films from director Jack Starrett and star William Smith:


RUN, ANGEL, RUN! (1969)

Motorcycle gang member Angel reveals the secret inner workings of his club to a journalist and is then forced to go on the run with his girlfriend in tow. Actor Jack Starrett’s directorial breakout hit and William Smith’s first role in a biker film, a genre that he would go on to dominate.


HOLLYWOOD MAN
(1976)


Smith stars as Rafe Stoker, a movie producer who gets mixed up with the mob while trying to raise completion funds for his new biker picture. Co-written by Smith, the film is a somewhat autobiographical tale of the toils and tribulations that come with working in the low-budget biker movie industry.

Philadelphia Mausoleum of Contemporary Art (PhilaMOCA)
531 N. 12th Street
Philadelphia, PA 19123

http://www.philamoca.org
http://www.exhumedfilms.com
http://www.cinedelphia.com

Sunday, July 21, 2013

Movie Ad of the Week: DELUSION (1981) / THE HOUSE WHERE DEATH LIVES (1984)



Alan Beattie's DELUSION (1981), starring Patricia Pearcy, David Hayward, Simone Griffeth and Joseph Cotten, opened in Santa Fe, NM on January 23, 1981. It was the last release from The International Picture Show Company, the indie that brought U.S. audiences SOLDIER OF ORANGE (1979), THE VISITOR (1980), WHERE TIME BEGAN (1978), the Tim Conway comedies THE BILLION DOLLAR HOBO (1977) and THEY WENT THAT-A-WAY & THAT-A-WAY (1978), and THE MAGIC OF LASSIE (1978).

Three years later, Beattie's movie arrived in 32 "Aquarius Showcase Theatres" in the New York area as THE HOUSE WHERE DEATH LIVES (February 3, 1984) from New American Films, a short-lived company co-owned by filmmaker Tim Kincaid and his wife, Cynthia DePaula.

Sunday, July 14, 2013

Movie Ad of the Week: BRUCE LEE'S ORIGINAL SCREEN TEST (1974)



Veteran producer and distributor Laurence Joachim first released the 7-minute Bruce Lee screen test in 1974 as a bonus attraction with THE GREEN HORNET (a.k.a. TALES OF THE GREEN HORNET), the first of two feature films he and his son Marco prepared from episodes of the ABC TV series (1966-1967) that introduced Lee to American audiences as Kato, the Green Hornet's sidekick. Joachim kept the screen test in theatrical rotation for the next half dozen years, using it to support his other Dragon-titled releases: FURY OF THE DRAGON (a.k.a. GREEN HORNET II), RAGE OF THE DRAGON, DRAGON'S INFERNO, DRAGON ON FIRE, and CALL ME DRAGON (a.k.a. BRUCE LEE AGAINST SUPERMEN), in which Lee imitator Bruce Li steps into the role of Kato!

Hartford, CT - November 27, 1974


Primos, PA - December 31, 1976


Hartford, CT - October 27, 1978


Los Angeles, CA - October 10, 1980


Saturday, July 13, 2013

The Endangered List (Case File #137)



THE MERMAID
(1973)

Starring
Rene Bond
Peggy Church
Robyn Whiting [Jacqueline Giroux}

Directed by
Ronnie Runningboard
[Dan Martin]

An
Argon Production

Released by
Freeway Films Corporation

Running time: 84 minutes


PLOT SYNOPSIS

This may sound a little fishy to you, but the producer swears every word of the story is true. A drunken old salt in a tough waterfront dive relates to the younger seamen present the story of his marriage to a mermaid and the resulting issue of that marriage ... four little barracudas, one-fourth fish and three-fourths human.

A quartet of the listeners believe him and set forth to find the mermaid and her daughters. They do. A fabulous shore dinner ensues.

The sailors dig it, and all ends happily, as it should, with the younger sailors embarking upon the sea of life with their newfound mermaidettes.

For the story behind this obscure nudie cutie, check out David Friedman's audio commentary on the Something Weird DVD of THE ADULT VERSION OF JEKYLL & HIDE.

Sunday, July 07, 2013

Movie Ad of the Week: THE BEST OF SEX AND VIOLENCE (1982)


The Charles Band-produced trailer compilation THE BEST OF SEX AND VIOLENCE (1981) played midnight shows in 14 Chicago area theaters on February 5-6, 1982 as a presentation of The Alternative Film Society, a New Jersey-based organization that “four-walled” theaters for midnight movie screenings and dusk-to-dawn shows in the early 1980s. Under the title SCREAMS OF FLESH AND BLOOD, this "comic look at Hollywood's wildest moments" filled out many of the Society’s “5 Deranged Features” programs at drive-ins during the summers of 1982 and ’83 (We wrote about those here), even though it was already available on home video through Band’s Wizard Video label. Since none of the movies pictured in the ad (THE DIRT GANG, WEREWOLVES ON WHEELS, two different GINGER flicks) have anything to do with THE BEST OF SEX AND VIOLENCE, here's a list of the 28 trailers that do appear in the film: BURY ME AN ANGEL; THE DOBERMAN GANG; TUNNELVISION; THE SIN OF ADAM AND EVE; ALICE IN WONDERLAND; CINDERELLA; FAIRY TALES; EMANUELLE AROUND THE WORLD; TANYA'S ISLAND; I SPIT ON YOUR GRAVE; TOURIST TRAP; THE BOOGEY MAN; ZOMBIE; THE SINGLE GIRLS; THE WORKING GIRLS; THE MANHANDLERS; DR. MINX; TRUCK STOP WOMEN; THE TWILIGHT PEOPLE; BEYOND ATLANTIS; THE DEVIL'S WEDDING NIGHT; SWEET SUGAR; TERMINAL ISLAND; EBONY, IVORY & JADE; DR. BLACK & MR. HYDE; DOLEMITE; THE HUMAN TORNADO; DISCO GODFATHER.