Showing posts with label ED WOOD. Show all posts
Showing posts with label ED WOOD. Show all posts

Sunday, October 23, 2016

Movie Ad of the Week: Ed Wood's NECROMANIA (1972-1983)



Akron, OH - January 24, 1972


Kansas City, MO - August 2, 1972


San Antonio, TX - February 3, 1973


Detroit, MI - April 4, 1973
(as TALE OF WEIRD LOVE)


Manchester, NH - June 15, 1973


Akron, OH - February 4, 1974


Rochester, NY - May 22, 1974


Keyport, NJ - November 9, 1974


Los Angeles, CA - June 15, 1975


Corpus Christi, TX - November 2, 1976


St. Louis, MO - May 15, 1977


Philadelphia, PA - November 24, 1978


Albuquerque, NM - July 24, 1981


Albuquerque, NM - May 16, 1983

Sunday, July 12, 2009

"Hi Ed -- it's me Ed!"

Temple of Schlock joins Cinemastyles in celebrating Ed Wood and the 50th anniversary of his classic PLAN 9 FROM OUTER SPACE!


The post-1960s softcore collaborations between writer Ed Wood and director "A.C. Stephen" (Stephen C. Apostolof) have their share of clumsy dialogue and tasteless situations but for the most part fall far short of the stupefying nuttiness committed to celluloid by Wood as a writer-director during the '50s. The one exception is 1974's FUGITIVE GIRLS (a.k.a. FIVE LOOSE WOMEN), a women's prison escape tale so threadbare that the prison guards are referred to but never actually shown and the only inmates we ever see are the five who escape. Never mind that the prison itself is obviously a summer camp, rented for a day or two during the off-season; no one's ever going to convince me that THE BEACH BUNNIES was filmed in and around a hotel resort, either. It’s poverty row and all par for the course, so you know there has to be something more to FUGITIVE GIRLS for me to single it out like this -- and that very special "something more" just happens to be a scene featuring Ed himself that is not only howlingly funny but possibly the only true Ed Wood moment in the entire Apostolof filmography.


About 50 minutes into FUGITIVE GIRLS, Ed stumbles onscreen as “Pops,” the crusty caretaker of a crop-dusting airstrip, who is awakened in the middle of the night when the titular femmes pull up in their stolen getaway vehicle looking for gas and demand that he unlock the pumps intended for the duster planes. After a minute or two of flirty small talk, Pops realizes these are the five prisoners who just escaped from the nearby work farm, and he very clumsily excuses himself to use the bathroom. Then, with all the subtlety of a bad silent film actor, he creeps over to a telephone barely ten feet away and attempts to call the sheriff. The rotary dialing can be heard loud and clear over reaction shots of the five women (including ‘70s skin flick regulars Rene Bond, Tallie Cochrane and Dona Desmond) glancing at each other with looks of pure skepticism. At this point most viewers will already be laughing, but Apostolof then cuts to Pops dancing in place like his bladder’s about to explode, holding the phone to his ear and loudly pleading for the sheriff to answer his call.

"Oh come on, come on, answer the phone, sheriff! It's them girls who escaped from that there prison farm this afternoon, I know it! Come on, sheriff, answer the phone! Come on, sheriff, hurry up before they get out of here and get away! Answer the phone, sheriff! That's gotta be them girls who escaped from prison! Answer the phone, sheriff!"


Normally in a scene like this the sheriff would answer the phone and Pops would get a few words out before being knocked unconscious by one of the girls. Even if Pops managed to get the whole message across, there would still be no way the sheriff would get to the airstrip in time to capture the fugitive girls and save him from a nasty bump on the head. That's how a hundred other filmmakers would've done it.

But that's not the way it goes down in FUGITIVE GIRLS. Oh no.

This time, the sheriff doesn’t answer the phone.

In fact, he can’t answer the phone.

And he never will answer the phone.

Why not?

Because a person can't be in two places at once -- and the sheriff is also played by Ed Wood.

Tuesday, July 07, 2009

Ed Wood He Wood, Or Wood He Woodn't "B" Caught Ed?

Temple of Schlock joins Cinemastyles in celebrating Ed Wood and the 50th anniversary of his classic PLAN 9 FROM OUTER SPACE!


Ed Wood He Wood, Or Wood He Woodn’t “B” Caught Ed?

or

Ed Wood Was Never The Worst Director Of All Time,
For Sherman!


by
The Keeper of the Pit

So I was standing there front’a my Pit-thetic dealer table down in Maryland, where many a mad movie maven’s been known to “B” a raven. Not that anyone from Maryland should take that statement Poe-sonal. Nor hoodoo I want to seem to cast blame on any of that fine state’s citizens for my ever having scum up witch the idea of selling movie posters. I might, howlever, blame Ed Wood for the Plan, upon witch he’d probably go “Nein, nine!”

Bedsides witch, I have a feeling the gore-iginal plan to sell movie memorabilia was, Ed Wood or wouldn’t, all stew-Pit, stew-Pit MINE.

One reason I reekmember it all well is because it was the day a person lifted my own Poe-sonal 1-sheet to Corman’s THE WARRIOR & THE SORCERESS. Yep, the one with the late, great David Carradine creature featured in sword & sorcery artwork depicting a busty babe so niced she had to every morning put on her steel bra twiced. As in, she has UPon her chest four, um, I SAID yum mamorable Poe-trusions to make any state she’s in a merry land.


Now rest assured, leer reader, that when I came home I found that I still had of said poster, like the barbaring ‘em her own shelf, a second set. Plus I purdy much know who Madoff with that sheet, and said party’s been mentioned rather often as the prime suspect to the fright persons. Not that I’m making any noises their taking the two-for-the-price of none 1-sheet would “B” worth his or her Carradine for…

An udder reason I reekcall all this so well is one of my fave’rit movie people of all time, whose material I often caught at the loco drive-ins in the wayback backseat daze of my miss spurt youth. By whom I mean Mr. Sam Sherman, a king of so-called “B” movies and master of monster movie titles “B”yond compare. Not to mention a RE-titler of his hand-made monster hits. Many’s the time me and my drive-in go-goin’ gal would “B” but moments into the second creature feature of a fright night scheduled for dusk to DONNA THE DEAD, when soddenly I’d ghoul “Hey, this friggin’ thing’s DRACULA VS. FRANKENSTEIN under a new title since last year!” Gal Wood yawn, say “So what else is new?” I’m telling ya, Sam was a master past all “B”lief at the art of sending out old films under new money-kers. Got so it didn’t matter if you were watching an Independent International biker-mama-rama or a play in mold monster mash up…ya still couldn’t name all the titles of many of the man’s films. Heck, I mean NECK, even old Dracula couldn’t Count ‘em all without an Alucard!


You see, fear reader, for many years I sold so many Sam Sherman/Al Adamson/I-I one-sheets and pressbooks…CHEEP!...I swear if anyone woulda come into the hall and asked security if there was anybody in the place sold Sam and his partner Al Adamson’s stuff, the guy would point my way and say “Why, Sher, man!”

Now at this pint in slime, this show, Sam and I had run into each other many a time, and we’d often shoot the “B” movie breeze. I can’t say enough good things…okay, this is about horror movies, gore or less, so “Ghouled THINGs” about…sigh, okay, make that aBAT…Sam Sherman. Let alone his partner in pix, the late, great guy Al Adamson, who had a handshake like an iron fist, who one time gave the Poeson writing this arty kill such an unexpected slap on my back in greeting that I about fell to the floor my short Irish guy own elf. Wherever ya are now, Al, I miss ya, and I haunt leprechaunin’ ya. May “B” sometime I’ll see ya up there, and we’ll have us a wild FEMALE BUNCH’a good times.


And man, I ‘member a show where Al was like two tables down, and ev’ry free moment one of us would meander up or down to the other guy’s table and we’d swap UFO stories. Seems to me Sam and Al had around then set their sightings on one or two aliens amongst us shock you mentallys….

Even when this tale takes place, I was already called “the Sam Sherman table,” gore or letch. Ah, all those posters, in color, or “B”-yew!-tiful black and white, mostly drawn no doubt by the light of a dawning gray morrow.

Sam would wander by at shows and stop to chat. Here’s where you can date this encounter: word at the show had been some t.v. crew was rumored to come by to get on-scream wordage on the upcoming ED WOOD movie. You know, from loco horror fans’ Poe-spective.

And sure enough, it happened, I wouldn’t Ligeia tomb ya!

So Mr. Sherman and I were scarily engaged in comparing the wonderful, blunders full world of Ed Wood, and had pretty much made our case in the matter. As in, Ed Wood wasn’t the worst director of all time, by any demeans.


And did the lady with her film crew behind her and a mike to her lips head fright to Sam and me like a salmon headed upscream? Lemme answer that: of curse she high hair-do hoodoo’ed!

Then again, maybe the sheet I had hanging behind us of Ed Wood’s I LED TWO LIVES… aka GLEN OR GLENDA… had something to with her singling us out, and that’s no t.v. cable! Little did she know, though, how the Samster would, ahem, sweater out.


Without any editorial pre-ramble the comely commentator shoved her mike into Mr. Sherman’s boyish face-iogomy and asked “So tell me, why WAS Ed Wood the worst director of all time?”

Now I won’t hackually SAY that right that moment Sam gave me a, as they say in certain parts of my native PA, “shite eating grin.” BUTT, I’ll write it.

“First off,” smiled the Samster charmingly, “Ed Wood was NOT, ever, the worst movie director of all time.”

Camera crew stepped back. The mikette, however, did not. She said she’d been told that Mr. Wood was indeed the earner and owner of said title. Why, wasn’t he the man who made something called PLAN 9 FROM OUTER SPACE? And wasn’t THAT the worst MOVIE of all time?


No, Mr. Sherman reiterated, and went on to hexplain he MADE movies himself, lots of them, and having no money to make them didn’t make things any easier. How ev’ry week there’s the same 10 major ultra-million$ of bucks movies playing in multiplex "theaters" the size of a drive-in projection boooth, and at least 5 of them will be forgotten by next year this same time. But Ed Wood, he made movies everybody remembers from the first time they see ‘em till the day they die. Movies people call people over to see and have a good time with, laugh, holler, throw pie plates, wear Angora sweaters they’ve just dragged out the closet, say “Hey, check out THESE hubcaps.” Okay, may”B” he didn’t quite say all of that, but close enough, and you know, fear reader and watcher, the type gathering I mean: and the folks watching don’t have to enjoy horror movies to love such Kong-munal eeek!-vents.

Gotta admit, I joined in from time to time, but Sam the man knew the business end of making no-budget movies, and gave her the business end. Oh, he was nice about it, as he told her how the Edster, like himself, had no help from the major studios, no major publicity campaigns in national weekly mags, and basically did what he did on a shoestring budget come what the heel may.

One member of the camera crew was already turned, taking in shots of the hall, for all I know thinkin’ “Wow, CHAINSAW HOOKERS! Wotta lay to grue!”


As I reekcall, Mr. Sherman finished his defense of Ed Wood with a hopeful promise that since Tim Burton was behind the new movie, he was sure what he’d just said re Wood probably be borne out for all the world to see. By then, though, the mikette was backing off likewise, then away she went, but not before tossing us a look like we’d both crawled up from the very scary Depps.

Or could “B”she thought that those aliens, from up high in the pie plate sky UFOs I mentioned earlier, had indeed finally Landau’ed.

Ah yes, if only when she asked if I had any posters to PLAN 9 FROM OUTER SPACE I could have turned behind me to the wall, pointed and gone “There, you Lugosi, SEE?”


Now I’m pretty sure I’d shaken Sam’s hand before in our travels. But I’m certain I never until then did so so handily heartily and told him “Great job,” can ya digit?

So lemme say here and now, that unlike the t.v. mikette, I have come today not to bury Ed Wood, but to praise him. Man made movies like no one else before or since. Who else had a way with deathless dialogue that even when subject and verb didn’t hackually agree, at least did so with daring, scaring and verb? AND did it grammercilessly.

Who else, when Lugosi died before PLAN 9’s finish, could have even imagined hiring as Bela’s “double” one’a the wife’s doctors? But, think of it…who else could have pulled a manic move that was reely straight and chiropractical? And got the movie onto some schedule BACK.


Who else amongst Wood’s Kongtemporaries that worked up poverty row pictures has had a major motion picture based, not DEbased upon his life? Let alone one where a “major” movie award for it became a Disney’d full thing?

Just for fun, let’s hexamine a few of Wood’s competitors in low to no budget land, all of whom made movies you could see a thousand times and, unlike virtually any of Wood’s, not leave the theater 'membering a single line therefrom, ever. Heck, there were probably wittier lines on the bathroom walls, for urinal Ms. Mikette knows.

And a’slay we NIGHT OF THE GHOULS:

Listen, I’m moldy enough to reekmember sitting through TEEN-AGE ZOMBIES at a theater. So, there’s a sure dishonorable candidate for Ed W.’s supposed all tomb worst crown: joltin’ Jerry Warren. Even the redoubtable Katherine in T-A Zzzzz’s can’t help the man’s film-ugggh!-graphy from, at least, scumming close to a sure Victory!


Then there’s fearsome Phil Tucker, the man behind ROBOT MONSTER, a flick that reek-all-list-eeechly should never have to be seen by Ro-man or woman. Not even if you should want to see George suffer through a career Nader. Or, if you don’t “B”lieve me, check out Tucker’s CAPE CANAVERAL MONSTERS, that I also caught in a theater, proof postive that even as a lad I was way-out to launch.


Let’s not forget everlovin’ Larry Buchanan, director of ZONTAR, THE THING FROM VENUS, the incredible IT’S ALIVE…not the Larry Cohen killer krawling kid kreature feature, I mean the one with Tommy Kirk, another baby altogether…or the also featuring Kirk MARS NEEDS WOMEN. Although Buchanan did some reely went to theaters movies, the ones above are enough to warn you Buchanan’s work brings new demeaning to the term “To t.v., or not to t.v. ‘B.’” I mean, how can anybody take a title like MARS NEEDS WOMEN and not friggin’ make Double D Deimos of it?


None of this is meant to imply there aren’t modern movie meisters who way missed their horror movie marks, off curse and devilishly so. I won’t mention one all time worst Kongtender’s name, but his THE SIXTH SENSE, a huge horror hit world-wide despite having the world’s oldest ghost story ending of all tomb, or I’d prob’ly take a full and mighty Bruce-in’. So okay, I defy anybody to make it through his THE LADY IN THE WATER. As in, even if Ed Wood’a been born as a woman with a life ahead of her full’a angora sweaters, he…whoops, I mean SHE…coulda filmed a similar story sweater, wetter AND bedher. AND done it when he/she was a mer maid!


So, may “B” it’s slime time for the Temple Of Schlock to stage its own vote for worst movie director, ever, Ed Wood hexcluded.Who could IT’S ALIVE “B”? Hmm. That Strock guy, he coulda been smokin’ a phew! Herbs. Or, much as I love the man’s stuff, a man named Steckler pulled a few BOO-BOOs. And there’s a guy named Del whose monster hit surf movie, if ya ever saw it like I did in a theater, was a reel sun of a “B”each. And since I saw it without even the benefit of Annette, I was especially AIPeed off.


Then there’s a guy named Milligan who did a werewolf movie full’a the worst ever, but dead to rats, stuff you’d never want to see. Saw THAT one with his BLOODTHIRSTY BUTCHERS at a drive-in that had already played enough Milligans to know any more shoulda been snack barred!


Holy Hannah Queen of the Vampires, the votes are already scumming in! Yikes, it’s like a killer “B” movie D-lugey! Could it “B,” should I get my vote in early, just to make Sherman?

Okay, here ghouls: my two for one wonder of a winner is…shrimp roll, puh-lees… William Beaudine, whose JESSE JAMES MEETS FRANKENSTEIN’S DAUGHTER I caught on a drive-in double, ahem, Bill w/ the man’s BILLY THE KID VS. DRACULA. And hey, howl abat THAT? All these words to scum full circle back to one more movie poster worth Carradine for. (Or, just ripping it off the drive-in Kongcession stand wall and flushing it down the John!)