Showing posts with label THE KEEPER OF THE PIT. Show all posts
Showing posts with label THE KEEPER OF THE PIT. Show all posts

Monday, October 31, 2016

Zacherley - R.I.P.



Ghoul-bye to the Cool Ghoul
by The Keeper of the Pit

Hey horror folks and fans out there ev'ry scare! And that said, here ghouls: The news, almost said grues, of the loss of Zacherley so close to Horrorween has us around fear in such a state we can hardly spook. Great guy. The first time the luvva my wife and I met Zach was at one of the very first Chiller Theatres, back at the theatre, where we had the ghouled luck to land a spot at the back wall of the downstairs, hexed to Zach, us and him's elf sharing the whole back wall half and half, Zach on the left, us to the right, I SAID fright.

Zach sees us dragging boxes and signage, sees "The Poster Pit," sez "Poster Pit, what a name. Where ya outta?" You know, words to that effect. Next thing I knew fellow "Pennsylvania person" and Zach and us were off to the races like Pocono body's business. Plus, he kept, okay, I SAID Keeped, directing folks at his adjacent table to check us out "hexed gore," because "They got one great ghoulection!" And he said it, not me, so I hope I haunt being Pencil-vain, ya?

This routine we had went on over the years of shows, when we always stopped at the other guy's tables, told each other the slayfest. And now, may I warn some readers about a little reality check. Yep, Zach and I any given show shot the back on the ole farm shite. One fine Saturday morning we're standing in a crowd of thousands waiting to be let into the Chiller Dealer Room hall, where, I SAID scare, hopefully Zach and us'ns might each make, ahem, a haul.

Heedless to slay, we eeek!-ventually got onto all the awful things happen to animals, barnyard or household pets. I believe it was his brother he told me about, who was a veterinarian. It was a long morning wait to get in the show, but we Zach and I could crack jokes "Gah, gore!" ... and it was a horror crowd, where folks who get squeamish over fantasy or even reality generally can't "B" found.

We'd abat run out on all the bad things that can happen to pets and gored livestock, some animal-inflicted, some human same. We knew we were drawing a crowd, but we were losing 'em by the time we hit debeaking chickens. See, there was this thing chickens did, they liked pecking at the dangling mess of their fellow penmate's condition. See, there was a disease or condition most-often called "chicken blow-out," and when the chicken with it tried to go about its business, the poor creature's intestines would start to trail behind them. Which got worse in that then their fellow captive creatures, being born peckers, simply had to walk behind them picking the trailing, uh, tines, which by then were sometimes several feet long, snake-like, gray, bloody. Spreading more disease the hole slime.

Then scare was discussing the who does what when one needs to. When a farm dog gets into a tousle with a skunk, who gets to hold said creature's whole reeking fulla sharp nasty quills, and who gets to pull 'em out? Whoever does what, trust me, neither guy can be rewarded with nearly enough fi-dough.

Zach, ever scientific, would of curse get into it, ask if I remembered what med ya put in the chickens' water fountains to prevent such conditions from spreading. I did. By the time he got to which job was worse with pigs, castrating them or holding them down for such needs-must-be done brutality, we found ourselves in minutes no longer standing way, way back in line to fright in front of the entrance. And behind us had changed from grumbling and pushing in line noises to a stampede of folks with suddenly anyscare but around us with excuses like "Ooops, I left an autograph item up in the room." And these were hard-core horror fans who knew from the ghouled stuff, like they'd seen "It Came And Left A Mess" with "Glob At First Fright" on a double-chill at the old Grue-Slay Drive-In. Fact, that day, we coulda given Zach's brother, who no doubt knew human anatomy likewise, plenty of upset stomach (w)urk!

Spooking of urky stomachs, again, sorry to have given anyone any degree of queasiness in this piece, but then, wasn't that Zach's job, same as as any of his horror hosts? You know, the ole "Hey, this movie's so ghouled it haunt half-bat." I mean, think on it: Ed Wood any of the gore-iginal horror movie m.c.s have survived the censorly cut had they NOT while hosting their fear features dispensed with the puns and punch dyin's? I stink rot!

So here's, dare I say Pit, tomb the best of them all, by now no doubt up in horror movie heaven draggin' a certain Creighton Tull a"rowl"nd by a Long Chaney. (Hey, ya can get away witch such stuff when yer position in same quarters is so horror high and Karlofty!)


John Zacherle
September 26, 1918 - October 27, 2016

Saturday, April 24, 2010

One Bat Review of GOTHIC GROTESQUES



Dead PA. Actor Nick Reads Grotesque Book On A Bette -- Blows The Thing To Adams!

Or,

Mary Shelley Was Such A Bat Cook,
She Made Hot Dogs,
Served Them That Night In Bier Mugs,
& Called ‘Em Franks‘N Steins!

-- One Bat Review Of GOTHIC GROTESQUES by Brian Stableford --

(Twas A Frank & Steiny Night’s Read: Dr. John Found This Poli-adorable, Byron Threw It Into The Fire & Yelled “Ghouled **** choke **** Lord!” ... While Percy, Not One to Take It E.C., Went "The Shelley Witch It!" Mary? She Went “Goth? Ick!”)

by
The Keeper of the Pit

Since I haunt one to give out bat depress or call someTHING Lugoseedy, after reading this I decided to share reviewing duties with a fellow Pennsylvanian, the late, lamented Nick Adams. Caught him just as he was about to catch the 3:10 to Johnny Yuma tomb-a.


Oh, sure, fear reader, you’re thinking, “Nick Adams? Why Nick Adams?” Well, for one, he’s, uh, daid, and scare gore, I SAID therefore perfect for handling out grave reviews. For twomb, being from PA., the Nickster had to have been big on horror movies, since he was in enough of ‘em. Plus he probably grue up watching such scare fare in these parts, since my old buddy Frankie Muldoon over at the Black Diamond Theater in Coletown used to tell me: any movie emporium in the state coulda run horror movies every day and fright of the year. That being as long as ya left one week for Kirk Douglas in ACE IN THE HOLE, especially if you had a deal at the snack bar that made everything cheaper for miners.


Bedside witch, I mean, besides which, Adams’ monster movie gigs include one of the first big scream versions of H. P. Lovecraft, whose works are mentioned frequently in Gothic Grotesques, which shall be called GG from here oh-pun. Plus the Nickster starred opposite the biggest star in the world at that or any other time: Godzilla. Oh, Nick and Godzie on the set in Japan, the stories they must have Toho’d!


Now this is not to cast sneaky, snaky poisoned asp-ersions at Mr. Stableford. I fondly recall reading his straight sky-fi back in the early 70’s, seems like only back in the DAWn of time. Many folks might not know this, but Mr. S. was then quite the young musician of the starways, well known for many a sweet Hooded Swan song.


Ah, but somewhere past the Heinlein door into ‘70’s summers I made like Samuel R. Delany and done Spindrift-ed, rather lost in space touch with Stableford’s work as I got gore and more into horror in print and on film. Particularly whenever horror and sky-fi crossed under a star-tossed drive-in skies. For all his eso-terroric word-building in this creature-featured collection of articles on fantastic literature and film, I don’t believe Mr. S. much finds that often the beasts way to eeek!-merge sky-fi and horror is by creature featuring monsters. Lots and ROTS of monsters. Especially when they’re reely “B”ig and car speaker or radio active, performing outdoor screen Giant Ants From Space gig-antics. On that, my word is my Blondie.


Oh, Campbell’s “Who Goes There” gets mentioned. But even then, Stableford herein would rather play deep THINKer than THINGer … I say Kurtly, "B"lieving horror movie fans might find these Gothy Groties a hard Russell.


Worse, there’s tons of words. Words in loonnnnngggg paragraphs of one sentence. To, let’s be Frankenstein, quote the young Madeline Kahn, “Whoof!” Makes me wanna read or watch some bullets and babes type of thriller, say, where the gal with her own low saxophone theme song … and a pair the male reader’d love to grab … asks Philip Marlowe what HIS book would be filled with, and he sez “Short sentences.”


Gunbutt I digress. GG also contains essays on: Vampires, their kiss and kin, from Polidori to wicked monsterous weddings of old ghoul school and new, morgue grew some vampire fiction, where probably the beast idea at the ceremony would be: “Throw Rice!”


Also herein: the beginnings of sky-fi mixed with horror via Mary Shelley, with what would in the 20th Century become, Universally, a Whale of a terror tale by any body’s bolt.


And although there’s a piece on Last Man On Earth stories, where’s the first man on Earth horror story, where Adam met Evil? Or the first sky-fi story ever, where the first homo sap said, “Madame, I’m Atom.” But, Ah’m a-getting-on…I shall, froth witch, try to be more nuclear.


Also here: horror and H. G. Wells at his most Moreau-se. Granted, every time I read ISLAND OF DR. MOREAU its worldview is so depressed I wanna jump off a tall building, Kongsistently. Why, jest seeing the cover of that old Classics Illustrated FOOD OF THE GODS comic book, with its mutantly enlarged bird, still gets me appreHENsive. I mean, abat every subject's here in GG horror folks should expect. Unless they’re giant chickens, then it’d be ex-pecked. So, why can’t I scream to get eggs-cited? Or even rooster'ed up?


What lurky lurches within? Well, there’s alien take-overs representing the loss of man’s very identity, sure, often in a fight to the Finney-ish. Yet I kept reading GG and, couldn’t help it, my mind wandered to any version of THE BODY SNATCHERS. Started thinking scumthing' Stableford perhaps never Ed Wood: when the heroine’s jest about to turn all outer spacey from another PLANT IT? That’s when she should say, “Sorry, hon, it’s time for me to go poddy.”


There’s also an epic piece on heavy metal thru goth music and beyond. Me, I’m Steppen out to say “heavy metal thunder” started with the Yardbirds, any guitarist: Jeff at Samwell-Smith’s Beck and call, Jimmy tuning the next Page, the first guy leaving while he was still getting claps by the ton. Stableford gets so densely into the since those days scenes I want to call Siouxsie up, find out if by now from her concerts she’d want to ban shes. One way to cut down on paragraphs too crowded.


Spooking of banning shes, we of curse get long and windy words on, say, Carmilla, where after awhile I got to hoping for the following dialogue to be Hammer movie hammered out:

She #1 (standing in front of crypt): “Should we do this inside, or out?”

She #2, drunkenly: “Oh, less’ be in.”


Although, if ya told such lines onstage, who knows with what overly ripe veggies, hexactly, so inclined disgruntled undeadettes might Fanu? Or what they'd hoodoo, uh, necks't. Fangfully, if such lines hexist, Mr. S. neglects to men shun it.


My maim GG gripe is these essays are way too academic rather than horror fan eeeek!-atom-ick. THING is, this book's a bounce it off the waller AND call the friggin' corner-or. Yep, the kind witch would make even the brain of Dr. Frankenstein’s hunchback Frye! Hecate, it jest fright even give Colin the Clives! And I say that as a person who has been reading factoidly fright film pieces since Carlos Clarens’ ILLUSTRATED HISTORY, wayback when my idea of hell was: whenever some Poe kid’s mom burned all his Castle of Frankensteins. Now THAT was what you call Joe Dante’s Inferno!


Lord Byron knows, it’s not like I don’t ape-reciate essays on the history of the horror form as GG goes on about. Ah, but if only once in a grue moon B.S. would break down and -- rat hair than GG go on & yawn -- ghoul on, abat any unholy THING. I demean, last week I finished the Hooblers’ THE MONSTERS, MARY SHELLEY & THE CURSE OF FRANKENSTEIN, witches gloom and doomy and strait-jacket laced as never get out, yet I found it quite enjoyable and so Woolstonecrafted as to be, in the battles against the powers of mortality, an over Godwinner.


What IT is, is...had no problems with the Hooblers, so what's the problem I have with GG here? And why hoodoo I get this feeling if Mr. S. had been a historical crime and court reekporter, the style would have come out all cut and Dreyfussed?


Worst of all, a book on fantastic lit and film cries for help from pictures tomb break the monster rot tomby. Like Bert I. Gordon might have said, one pic of Maila Nurmi melting away like butterscotch fudge on a Black Sundae is always worth a thousand MAGIC SWORDs. I "B"lieve I'm gore-wrecked to slay that even the most literate spinners of HAUNTING words turned to chillers...of whom there's gore than some critics stink...on the big scream would agree. And that’s for Shirley, Jackson!


Yes, fear reader, you’re quite a fright, I mean, right! I too think I may need a second opinion steada pun yawn. Could be my widdle bwain’s Pit-tweetpotrezeebin’ from all those Flavo’s shrimp rolls at the Mu-Way Drive-in. Honest, I’m slow overwhelmed with GG’s words that even now my said sad brainPanics In The Year Zero. You know, like the old sky-fi stories and futuristic flicks where the whole world’s blown to atoms…Wait, Adams! Whew, my old buddy’s name came back to me in the Nick of time and space!


Like I started to say, I hustled some Gothic Groties up to Burke, PA, where Mr. Adams is buried, took some sample pages of what I’d read for him to site. Luckily I caught him in a mood when he wasn’t feeling REBEL yell-ious.


His first reaction, some ways in? “Nertz, even I have one heckuva LOT more plot!”

“Uh, Nick,” I said, “me and you, we’re boat from nordern PA. Think NUN fiction!”

He paused. “So, I should knuckle under, huh?”

“Yah, man,” I agreed. “Nuns ruler!”


Way the ground shook I could tell he wanted to perogie-school-kill me. I said, ‘Down, boy, down,” and he said, “Downer I can’t get!”

“C’mon," I coaxed, "hoodoo it for the sisters!” Ground kept moving, so I quick and the dead said, “I mean, the local sisters. Rite here. I been listening here waiting for ya, and all the gals underground ‘round here say you make ‘em hot tomb plot!”

Well, that calmed him down some. Don’t wanna mention I kinda thought he was wrutching around some with a stiffly stiffie. Finally he said, “Lemme some pages.”

“Sure, thanks, Nick.” I laid some more Grotie Gothies on him, started walking. Clouds fell, lightning rumbled, and Nick yelled to my back, “No, stupid, I meant BETTIE Pages.”


I turned. “You ain’t heard she died?”

“What?”

“Uh huh. Tell ya what, you read some’a this stuff, I come back I’ll try to have dug up her telle-bone number. But if you don’t have something I can use ‘bout these here pages of Mr. Stableford’s I’ll tell the nuns over in Nanny Coke ya been a knotty boy.”

Well, that did it. Being knotty witchout sources, the next week I brought him Bettie P.’s number. I know, her being passed on I shoulda jest got her eeek!-mail. Still, Nick was so grateful, uh, dead I asked him if maybe he’d give bits of Mr. S.’s copy to one of Nick’s old co-stars to review. “Who, X-act-ly?” he asked, I said, “Uh, Mr. Karloff?” He went “Gimme a sec,” yelled “Hey, ole Bill! Hey butt!” That’s, I guess, Coletown speak gone spook.


Next week I came by, no one home. There was, though, a note, said, “Got ole Bill Karloff to read a lil that book. He wants to know if the guy’s deliberately trying to Boris!”


Next visit still no Nick. This time I left him a note, asked if he’d sample a few GG pages to Godzilla. I mean, ya never know when the Big G. is only sleeping, or dead for reels...


No Nick in spirit next time, ether. Another note was there, though, complete with a big slimey and green footprint that had obviously been used as a STAMP! Note said, “Godzie tried to read it, says he’d rather torch it than touch it! Also says ya couldn’t pay him enough to read more, and that’s from a Big G. G.uy who works for scale. And even THAT’s only when he feels the friggin’ yen.”


Following week Nick was there, but still not in spirit. Hey butt, instead I found another, more heart-felt note:

“Hey, kid, me and Bett say thanks for getting us in touch. In fact, reason we haunt here? We’re off on our honey booin’! Eeee-yowser, and I thought those gals up in Scrant-‘un could really tie one on!”


Yeah, for a dead ‘50’s and ‘60’s movie star he sure hepcat helped out! In fact, just for me he writ it up like top taglines on old horror movie posters, like over at the Black Diamond, or down at the M-W D-I at Pummeled Dwarf! And yeah, unlike myself or a Mu-Way dusk-to-DONNA THE DEAD, he kept it short.

It reads:
“Just tried to read the Groty book again all deady!
It hain’t CANNIBAL STEWpendous!
It hain’t AMAZING or COLOSSAL, MAN!
FROM HECATE CAME! GG Book’s So GD Dull, Even The Sisters Up In Wilkes-Barr Say It’s DIE, MONSTER, DIE-dactic!”


Under that, it read: “The guy does one of these next time, give it to the next TOMB! We Borgo Pass.”

Note was signed, that is, slimed the way he always does for me: “Nick’s Atoms.” Under that, in different writing, were words from a feminine hand more enchainedting. They said, “What he said. Trussed me!”


Wotta gal. And wotta guy Nick, sorry, remains. Even in the state he’s in, and I don’t demean PA., he always finds a way to be up in atoms AND, no matter the weather, Adams balmy!


Still and all, last time I “saw” Nick, he had for the first time, “on a Bette,” seen one’a Brian De Palma’s early horror flicks and said I should send a DVD of it “Over tomb da SISTERS.” That Nick, such’a Kidder! He also told me to tell the “folks out scare” that Bettie and himself still think Mr. Stableford does “humorless paragraphs that go on for PAGEs!”


Oh, they also said that no matter GG’s horror subjects, “X-personally, we think a whole other book of such paragraphs might give even a werewolf in the longest Stephen King book ever … howl to slay … serious PAWS!”


Way to gone up to heaven go-go, guy and good goil coiled! Fangs a rot, you’ve urned it! (And yeah, I’m still trying to sell youse guys’ script to D.Ceased Comics!)


Saturday, January 09, 2010

BIG BAD MAMA II (1987)


Reviewed by
The Keeper of the Pit


Hay, I mean, hey gang, the Keeper here, jest taking some slime off whilst listening to Flatt & Scrugg’s “The Story of Bonnie & Clyde.” Time to dust off my bowl & think Depression, & there’s nothing like some chicken-lickin’ pickin’ to get the ole Keep in a banjocular vein!


Long about 1967 Arthur Penn scored a big hit with BONNIE AND CLYDE, witch did much not only in the style of sinematic violence to come, but witch lickwise did much to Dunaway with the old Warner Bros. method of mythologizing the gangster. (Baby)face it, gang, Hollyweird has long acted like the gangster is scum kind of hero, when axe-ually he’s jest scum kind of scum, pond my word.


Not the type of guy to let his own brand of story-telling go unreekcognized (he had already done a mean despunking of the gangster hit and myth with MACHINE GUN KELLY almost a decade previously), King Cheapo Roger Corman splattered the screens of ’67 with THE ST. VALENTINE’S DAY MASSACRE, witch at the time took all the critikill pans the review-hacks had saved up while praising BONNIE AND CLYDE to the skies and beyond. Seems there were too many references to whops and crazy Irishmen; never mind the fact that the St. Valentine’s Day Massacre was the result of the long-standing war between, you got it, crazy scum who happened to be of Irish and Italian persuasion. Still & malt, ole Roger escaped from 20th whatever the critikill slurs. Ya might say they only ethnicked him!


By 1970 Corman was out there with BLOODY MAMA, the first of a series of MAMA movies. Shelley Winters played Ma Barker with CONsiderable verve under Corman’s direction, & her assordid gang of relatives & rejects gave new demeaning to many a perversion. Should you ever find this titular title on video rental, be sure to (banjo) pick it up -- the monster and I incest!


Spooking of titular titles, by 1974 Corman’s New World Pictures found itself riding thigh, uh, high with Steve Carver’s BIG BAD MAMMARIES, er, MAMA, starring the always remarkable Angie Dickinson as Wilma McClatchie, a gun-totin’ hip-slinger of a reel woman.


New World’s market at this point in slime was pretty much car crash & burn, & BIG BAD MAMA slayfully mixed said formula with udder New World staples, like titties and leer.


Even the Angie D. bod was on bountittieful display, as many a men’s magazine of the day can attest two.


SET in the 1930’s BIG BAD was a fun PITure, light-hearted without being light-headed. A message of sordid sorts lay there, about banks, land, family sticking together through hell & dry weather. Also on set, uh, handling Angie’s set, I mean, also on hand were Tom Skerritt & also William Shatner, doing a fine turn as the flip side of his repertoire, a coward.



Surely this was a flick whereon the ghouled Captain was more than WILLing to trade his enterprise for a booby prize, eh? (Hay, why should Nimoy be the only guy that KEEP’s his ears warm?).


Ah, butt back then in ’74 even the most light-hearted of folk could by the choice of their path through life be light-headed toward tragedy. Crime, even when cornspun rather than Capone-run, does not pay. What seemed a drive-in romp turned downer with an ending witch found Angie D.’s daughters tooling down the road laughing about the last heist only to find out it WAS the last heist: it seemed Angie D. had met her Wilmaker!






& now a word from your pun sir. Much to his dismayhem, the Keeper can only admit (one) that the drive-ins are on their last GASp. Old New World is long gone, new New World is more successful with video releases than theatricks, the mall has replaced the Passion PIT as the home for happy zombies. Where for most of his (such as it is) life, the Keeper could catch films on giant, outdoor concrete screens, now he has to suffer through nothing but the latest big budgie product the majors use to illuminate the little boxes they call theaters. How many indepundent pix pass through such venues could be counted on one of the monster’s tentacles…the majors rule. Little pictures have nowhere to go…no neighborhood theaters anymore, no drive-ins, no play-dates at the mall. I mean, when I grue up in the 50’s (sure that’s dating myself, butt when ya look like the Keeper, you HAVE to date yerself!) & went to outdoor ogle the 50 Foot Woman, that’s how big she looked. I mean, she was TITanic! & ass fur as the Keeper is concerned, that’s axe-actly how Big Bad Mama’s should be Hayes-seed!


Cut the hay to 1987. Corman/Concorde do some theatrick still, but ole Roger didn’t survive making movies until retirement by being a dummy: nowadaze most Concorde product moves through video, the “B” now “B” & “C” market of the ‘80’s. Rare is the Concorde pic witch even sees the light of a mall box, so Corman thrives on video deals with MGM/UA, foreign sales, cable, etc. & wonder of wonders, seems to make his usual skillful killing, whilst the outfit witch is now New World flounders like a fish out of Wanda.


So, to survive & thrive in the changed market, Corman of late makes sequels. Jest like big $ Hollyweird. It KEEPs up the sinterest in which might lay doormat on shelves, witch makes dealers happy. “SLUMBER PARTY MASSACRE 2? I didn’t know there was a SLUMBER PARTY MASSACRE 1!” (& then he slaps down his “2” bits!) “DEATHSTALKER 2? Yeah, I’ll take it. When they comin’ out with SORCERESS 2 WHOSE ASS IS ONE?”


Witch brings us 2...


In the true grue blue tradition of Hollyweird sequels, it safely ignores certain events of its predecessor (Fur instants, the Frankenstein monster could die in a sulfur PIT one PITure, then be floundered, uh, found in a block of ice in the next. Witch beats a bolt in the neck!). So, BIG BAD MAMA 2 jest opens with Angie D. & her two daughters (& who can argue with an open Angie D. plus 2 daughters, letch KEEP it in the family way!) as they watch the loco Tex-ass law of 1934 come onto their homestead & blow the old man away in the name of the Morgan Crawford bank.







Morgan Crawford’s the name of the piece’s villain. He’s a bigpig, uh, wig banker & loco business-poison, played by Bruce Glover.


Soon he’ll be running for governor whilst Wilma & her 2-girl gang run for their lives as they look for slaymates & playdates.


They’d rather knock over banks than get knocked up…like the John Solie 1-sheet sez, “Untouchable? She’s unstoppable!” & before you know it, Robert Culp as Daryl Pearson, “Voice of the West” for the Philadelphia Eagle, catches their act of daylightheaded robbery & of curse wants their story.


Wilma & the gals spot him on their tail, so the youn’uns engage in some skinny-dipping to sucker him into their clutches as Ma draws a bead on him. Before he knows it, they’ve stripped him down to his hat without him so much as getting felt! Why, he doesn’t even get to ask Wilma “What’s a Ness girl like you doing in a place like this?”




Ah, butt this is a dizzylulu of a story. Shortly the gals have in their hands & band the son of the perspiring governor Crawford, & he licks the idea jest swell.


I mean, his dad’s that kind of guy. When Wilma & gang stick up 1 of his fundraisers & a lackey jest sez why don’t we jest shoot shoot it out, ole Morgan replies “Jewelry can be replaced. Wealthy contributors can’t.”


Gradually the tone gets more political. Sleazy sets witch look no cheaper than the rest become “Hoovertowns,” & the spectre of the dust bowl looms even larger.

After a stop at the Jackson County Fair...


...& a visit to Culp’s favorite bordello (a SET witch can also be seen in another Depression-era Corman quickie, DADDY'S BOYS)...


...Culp and Angie D. get it together in footage not nearly as vivid as BBM1’s.



Maybe she wandered from DRESSED TO KILL to BODY DOUBLE, I dunno…


Angie’s an old lady butt firm, as Lenny Bruce used to say, butt I have my doubts.


Rewind!


Still pause!


Rewind again! (Down, monster, down!)


You be the judge, butt I look at it this way: drool, pant, slobber! Who knows, by the next sequel they may have to call it OLD BAT MAMMARIES.


From there we go to the wrap-up: a return to the family boneyard & homestead, from witch Ma & the gals will go straight. Will Culp, when he learns of the upcoming bloodbath from the loco loco law, turn journalistic jellyfish & root for the boys with the badges? In udder words, will he CELLAR out? We won’t tell, unless someone forces us to watch FATAL ATTRACTION AGAIN.




[Originally published in Temple of Schlock #12, October 1988]